Libero Arbitrio, for oboe, bassoon, piano
Zae Munn
About this work:
Libero Arbitrio is the namesake of its commissioner, Arbitrio ("ar-BEE-tree-oh")--oboist Alicia Cordoba Tait, bassoonist Douglas Spaniol, and pianist Bradley Haag. It was premiered by the group in 2000 and has since been performed throughout the Midwestern United States, in St. Petersburg, Russia, and in Buenos Aires.
The title, Libero Arbitrio, is Italian for "free will" and is a fun spin-off of the group¹s name which takes its name from a suo arbitrio, meaning the musicians should perform "at their pleasure." While my thoughts about free will and its counterpart predetermination had an important impact on the writing of Libero Arbitrio, what is more audible is the use of evolving ostinatos, references to the syncopation and metric aspects of jazz, and the at times operatic treatment of the instruments in the solo and duet sections.
Year composed: 1999
Duration: 00:10:30
Ensemble type: Chamber or Jazz Ensemble, Without Voice:Other Combinations, 2-5 players
Instrumentation: 1 Oboe, 1 Bassoon, 1 Piano