The Third Analog Pillar
Randy Gibson
About this work:
Analog Apparitions is a pair of 30-minute compositions designed specifically to be recorded and released on cassette tape. Side A is "The First Analog Pillar with its Simplest Primes and The Harbinger of The Second Pillar with The Low Madora Cornerstone and The Outlying Primal Cirrus from Apparitions of The Four Pillars" Side B is "The Third Analog Pillar with its Lowest Primes and The Ersatz Souvenir of The Second Pillar with The High Madora Cornerstone and The Outlying Primal Abyss from Apparitions of The Four Pillars"
A student of seminal Minimalist composer La Monte Young, Gibson follows in the tradition of prime harmonic just intonation pioneered by Young in the 1960s. Apparitions of the Four Pillars, the underlying composition on this tape, explores the depth of the harmonic series through standard just-intonation methods and the use of higher prime-harmonic relationships. In the eighteen hours of recordings layered onto the two sides of the cassette you can hear the mechanism of the tape itself, the evolution of improvisations over seven recording sessions, and the purity of sine waves in complex prime-harmonic relationships.
This work was funded in part by the Composer Assistance Program of the American Music Center.
Version: The Third Analog Pillar with its Lowest Primes and The Ersatz Souvenir of The Second Pillar with The High Madora Cornerstone and The Outlying Primal Abyss from Apparitions of The Four Pillars
Year composed: 2010
Duration: 00:30:00
Ensemble type: Unspecified Instrument(s):Solo
Instrumentation: 1 Other Keyboard Instrument(s), 2 Other Voice