About this work:
"Jubilee" is the latest (2010) musical work finished in my new MAX/MSP software called THE SEQUENCER PLAYPEN available at http://www.fairpoint.net/~rainfor1/McLean_MAXMSP/Main_page.html Premiered in Nov. 2010 at Hamilton College, this work is light-hearted, using generally tonal and accessible pulsed rhythmic material. Like many of my works, it is orchestral in concept, and electronic in timbre. This performance was done live, recorded in my home studio in Petersburg, NY. Some unique aspects of this software enable me to very quickly set up and change the timbral conditions, as well as different rhythmic and pitch orders within the basic three melodic tracks of 24 notes. Much of what is heard uses controlled random processes. Basically, it's just a fun piece to listen to.
Used Barton McLean's MAX/MSP software "Sequencer Playpen," a sophisticated MIDI sequencer using Korg Wavestation, Alesis QS6.2, TX 81z, ASR10 synthesizers. It's a live performance score, and was premiered at Hamilton College by Barton McLean in 2011.
There is a YouTube video of me performing this work live at:
http://youtu.be/Qymey755Lss
My website (where you can find my email as well)
http://www.fairpoint.net/~rainfor1/McLean_MAXMSP/Main_page.html
Phone: 518 658 3595
YouTube playlist (with 32 videos and counting)
https://www.youtube.com/view_play_list?p=3ACAB7BAD86CE7B4
Also check out my entry in Wikipedia
Although I, Barton McLean, hold the copyright, I nontheless hereby gladly authorize anyone to make copies and perform the work for noncommercial and/or educational purposes providing that my name is reasonably displayed as the composer. I do not under any circumstances authorize selecting portions of the work to appear intact in another person's composition, or to appear under any other composer's name, without my written signed authorization.
Regarding the audio file accompanying this work: I, Barton McLean own the copyright to the composition itself. Being aware that this work has been released on a commercial CD, and that the CD company might possess the copyright to that particular sound recording of the composition, I nonetheless claim copyright to this specific sound recording posted here, because it is not the exact recording released on CD. Rather, it is another mix down and revision of that work which may approximate the commercial CD in most respects but nevertheless is a distinct sound recording of which I claim the copyright.