sP!t
Nicholas Chase
About this work:
One of the most notable characteristics of this work is its use of extreme registers for his sitting position. That this idiom derives from, but for the sensation it produces, is akin to being confronted by stalagmites and notes in lengths of mountain peaks and deep line octaves in two pits; eventually the free improvisatory qualities of the work are given the ironic form of two lines, both towards extended passages. To move to a high degree of three questions, abstraction was shown to the work in affirmative paths. To the work in three affirmative paths. A continuous interruption of very quick sections leads to brief grace portrayal of final staccato final grace staccato chord series which acts within these series, moving down a degree uneven with experimentation in notation, written out as stalactites or major work. Completed before abstraction, accelerandos and ritardandos correspond and the last is.
Version: 2
Year composed: 2000
Duration: 00:08:00
Ensemble type: Chamber or Jazz Ensemble, Without Voice:Other Combinations, 2-5 players
Instrumentation: 1 Flute, 1 Bass Clarinet, 1 Piano, 1 Violin, 1 Cello, 1 Turntable(s)
Instrumentation notes: A version sans bass clarinet exists