Life of the Party-Concerto for Bassoon and 16 Friends
Don Freund
About this work:
00:00-Party Music 1: Hard Rock / Chat I: Small Talk (Bn w/Fl, Ob, Cl, Cbn)
04:39-Party Music 2: Gospel / Chat 2: Religion (Bn w/El Pno, Cbn, Marimba)
08:17-Party Music 3: Techno / Chat 3: Politics (Bn w/Tpt, Hrn, & Tbn)
10:40-Party Music 4: Posh / Chat 4: Sports (Bn w/Pno, Fl, Cl)
12:27-Chat 5: Art (Bn w/String Quartet) / Party Music 5: Cool Jazz
14:40-Party Music 6: Blues / Chat 6: Flirts (Bn w/El Gtr, Cbn w/El Bs)
17:09-Duo Cadenza: Break-up (Bn & Cbn)
18:27-Party Music 7: Deep Funk / Soliloquy: Broke-up (Bn w/Pno)
22:09-Ballad: Make-up
25:50-Finale: Celebrate!
Don Freund's Life of the Party (Concerto for Bassoon and 16 Friends) could be described as an instrumental mini-opera with two identifiable layers of musical activity. One layer is the "Party Music," a series of "songs" in varied vernacular styles which recede into the background to allow the more intimate party "Chats" to be heard. The scenario is this: the bassoon and its date, the contrabassoon, show up at a party, and before long engage in a "Small-Talk Chat" with the other woodwinds — a breezy triple-triple meter against the heavy duple of the "Hard Rock Party Music." When a new "Gospel Party Music" begins, the bassoon and contra begin an earnest, spirited discussion of religion with the electric piano, later joined by the marimba. This odd mixture of gospel blues, Messiaen-ic chords, and simulated Gregorian chant yields to the next party music, a robotic "Techno" passacaglia, over which the bassoon and brass trio engage in a heated debate about politics. This stark tension is replaced by the thick, rich harmonies of the "Posh Party Music," over which the bassoon and piano (later joined by the flute and clarinet) discuss sports in 16th-note flurries of sinewy athleticism. The string quartet interrupts, advancing some abstract theories of art; the bassoon sympathizes, while "Cool Jazz Party Music" is heard in the background. A sultry "Blues Party Music" follows, with sexy electric guitar riffs that elicit some flagrant flirtation from the bassoon. The contrabassoon is outraged, and retaliates by becoming closely intertwined with the electric bass. A lovers' spat erupts, a duo-cadenza for bassoon and contra, full of choice multiphonics and other extended effects. During the ensuing "Deep Funk Party Music" the bassoon goes off by itself as has a cry. The contra re-enters, and reconciliation is found in a country-flavored Ballad. All is well; the party ends with a rollicking celebration!
Life of the Party was inspired by the incomparably vivacious personality and astounding virtuosity of Kim Walker.
Year composed: 2000
Duration: 00:29:53
Ensemble type: Chamber or Jazz Ensemble, Without Voice:Unknown
Instrumentation: 1 Flute, 1 Oboe, 1 Clarinet, ,1 Bassoon soloist(s), ,1 Contrabassoon soloist(s), ,1 Horn in F soloist(s), ,1 Trumpet soloist(s), ,1 Trombone soloist(s), 1 Percussion (General), 1 Drum Set, 1 Piano, 1 Electric/Electronic Keyboard, 2 Violin, 1 Viola, 1 Cello, 1 Double bass, 1 Electric Bass, 1 Electric Guitar
Instrumentation notes: Piano doubles on synthesizer, electric bass doubles on acoustic bass