The music of Michael Gatonska has been performed by the Cabrillo Festival Orchestra, the Minnesota Orchestra, the American Composers Orchestra, the Hartford Symphony, the Pacific Symphony, the Civic Orchestra of Chicago, the Ossia Symphony Orchestra, the Krakow Radio Orchestra, the Talea Ensemble, the New York Miniaturist Ensemble, string quartet DAFO (Poland), the HSO Cello Quartet and at the Krakow International Composers Festival, the Mosaico Music Festival (Poland), the Teagu Festival of Contemporary Music (South Korea), the Festival Internacional de Musica Contemporanea (Bogota, Colombia), the MATA Festival, the CSN New Music Festival (Nevada), the Kosciuszko Foundation Chamber Music Series, the New Britain Museum of American Art, and twice he has participated in the Minnesota Orchestra Reading Sessions & Composer Institute. He has received numerous awards for his compositions, including fellowship and grant awards from the Civitella Ranieri Center, the Kosciuszko Foundation, ASCAP Morton Gould Young Composer Awards, the American Music Center, Meet the Composer, the American Composers Forum, the Roberts Foundation, the Paul Underwood/ ACO Commission, the MATA Festival 2003 Commission, the Connecticut Commission on the Arts, the Field and he is a MacDowell Colony Fellow. In 2009 he was awarded the Lifetime Achievement Award in the Field of Arts by the CT Valley Education Foundation. He has composed solo and chamber music for the pianist/performer Kathleen Supove, the E-cellist Jeffrey Krieger and for the flautist Paul Lustig Dunkel and percussionist Joe Passaro.His music has been recorded on the Albany Records and Einstein Records labels.
He studied music composition with Krzystof Penderecki, Marek Stachowski, and Zbigniew Bujarski at the Academy of Music in Krakow, Poland, and with Elias Tanenbaum at the Manhattan School of Music.
[But] Gatonska’a orchestral writing is so evocative and surprising that it’s impossible to resist.
-Joshua Kosman, Music Critic, San Francisco
“Gatonska’s ‘The Whispering Wind’ may have been the best. It builds from a rustle to a fumbling menagerie, with clumped and jagged harmonies, blaring circus brass and thrusting plastic rhythms out of free jazz.” - Richard Scheinin, Music Critic, San Jose Mercury News
“Indeed, Gatonska’s music (Wandering the Moon Nursery for symphony orchestra) sounded like a discursive dream, interspersed with moments of sheer enchantment and warm, masterful orchestration.” - Matthew Eriksen, Music Critic, Hartford Courant.
Michael Gatonska's ‘Transformation of the Hummingbird’ is the closest of the four works to the textural experiments of today's avant-garde, but none of its gestures sound gratuitous, and its imaginative textures consistently captivate. -Classics Today.com --David Hurwitz
‘Sugar Maple Cosmica’ for Flute and un-pitched percussion: There were, of course, exceptional moments, especially a stunning passage in which the alto flute, played extremely lightly and with great agility, perfectly matched the percussion. Suddenly time stood still. If Mr. Gatonska achieved that even for a minute in this full-scale work it means that his gift commands respect and attention.
–2010 New Music Connoisseur
His work entitled Transformation of the Hummingbird was composed for SONYC, and was released on the Albany Records label (TROY941).