Joelle Wallach  3965 Sedgwick Avenue #5D    Bronx, NY 10463  
 
	
	
		Education
	Doctor of Musical Arts:  Composition. Manhattan School of Music. Ancillary fields in theory, piano and voice
	Master of Arts : Musical Composition. Graduate Faculties, Columbia University
	Digital Music Certificate  Massachusetts Institute of Technology
	Bachelor of Arts: Musical Composition. Sarah Lawrence College
	      Principal Teachers:  John Corigliano, Manhattan School of Music; Meyer Kupferman, Sarah Lawrence College
	Juilliard Preparatory Division – violin, piano and theory
	 
	Teaching, Public Lectures, and Academic Experience
	BRIO Prize, Bronx Council on the Arts (2017)
	Meredith College, Raleigh NC (2016) Artist in Residence
	The New York Philharmonic, (2005-2015) pre-concert lecturer, insight presenter
	 “Composer in the Metropolis”  Con Edison Resident Composer (NYC) 2013-2014
	John Jay College, CUNY (2012) Adjunct Professor of Piano
	College of Music, University of North Texas, Denton, TX   (2010-2012 ) Visiting Professor of Composition
	           Teaching upperclassmen and graduate students musical composition and orchestration
	Dallas Symphony, (2011-2012) pre-concert lecturer
	Montclair State University, New Jersey, (2010) Visiting Specialist: composition, orchestration, advanced musical analysis
	The 92nd Street YMHA, School of Music, (2006-present) and The New York Society Library (2008-present)
	      Lecture series linking music to the history of ideas, with an emphasis on New York’s musical and intellectual life
	Sweet Briar College (2007-2010) Visiting Artist, collaborating with faculty in the creation of a new work, and giving nine lectures on Modernism, Postmodernism and diatonic and atonal  theory for faculty and students, and the public
	Fulbright Senior Specialists Program, Council for the International Exchange of Scholars, (2002-2006)
	National Parks Service, Acadia National Park, Artist in Residence (2006) created and conducted public workshops
	The Frick Collection, (2005) lecturer connecting visiting painting exhibits with in-house concerts   
	Empire State College, S.U.N.Y., Preceptor and Evaluations Consultant l995-97, 1980-l984
	Billings [Montana] Symphony, Composer in Residence 1994-5
	Hudson Valley Philharmonic, Composer in Residence 1985, 1987
	Lincoln Center Institute, Teaching Artist, designing/implementing new curricula 1990
	Fordham University, Assistant. Professor of Music: Music History, Jazz, Musical Concepts l981-83
	Manhattan School of Music, Doctoral Teaching Fellow: music theory, sight-singing, dictation l980-l982
	Hunter College, C.U.N.Y., Center for Lifelong Learning.  “Patterns of Contemporary Culture" l978-79
	 
	Orchestral Positions and Residencies
	Meredith College, Raleigh NC (2016) Artist in Residence
	New York Philharmonic Orchestra, Pre-concert Lecturer 1990-91, 2004—2015
	“Composer in the Metropolis”  Con Edison Resident Composer (NYC) 2013-2014
	Dallas Symphony Orchestra, Pre-concert Lecturer 2010-2012
	New Philharmonic of New Jersey, Pre-concert Lecturer 2010
	National Parks Service,  Composer-in-Residence, Acadia National Park, Maine, USA 2006
	Gold Coast Chamber Players, (San Francisco, CA) Composer-in-Residence,  2003-2005
	Piccolo Spoleto Festival/ Charles Ives Center for American Music/ Charleston (SC) Symphony 2002
	San Jose Symphony, Guest Composer 1998 San Jose Chamber Orchestra, Guest Composer 1999, 1998
	Wayne Chamber Orchestra, Guest Composer 1998-2000
	Harvestworks, PASS digital/electronic studio, Composer Digital Programming Fellow 1995
	Billings [Montana] Symphony, Composer-in-Residence 1994-5
	Lake Placid Symphonietta, Composer-in-Residence 1992
	National Orchestral Association, Fellow 1990-1991
	Hudson Valley Philharmonic, Composer-in-Residence 1985, 1987
	 
	Grants, Honors and Awards
	BRIO Award, Bronx Council on the Arts 2017
	Uncommon Music Festival Award for When Lost in the Forest  2017
	Mid Atlantic Arts Foundation Creative Fellowship 2017
	New Ariel Piano Composition Award for Lagrimas y locuras  2016
	 “Composer in the Metropolis” (NYC) Con Edison Resident Composer 2013-2014
	Pytheas Center for Contemporary Music Composer of the Month (February, 2013)
	Aaron Copland Foundation Award  2013
	2013 Pulitzer Prize in Music – nomination for Lagrimas y locuras
	2012 Pulitzer Prize in Music – two nominations for Runes and Ritual
	Research Enabling Grant, University of North Texas  2011-2012
	Drisha Institute, Artist Fellow 2007-2008
	Manhattan Choral Ensemble First Prize, for The Clothes of Heaven for 40 unaccompanied voices 2006
	New York Virtuoso Singers Choral Composition Competition for Therefore 2005
	First Prize, First Annual Jezick Ensemble Prize for treble choir for Why the Caged Bird Sings 2004
	International Alliance for Women in Music, Miriam Gideon Prize for A Revisitation of Myth 2003
	Waging Peace for Toward a Time of Renewal for orchestra and chorus 2002
	Arizona Friends of Chamber Music String Quartet Competition Commission 1999 (String Quartet #3)
	Women’s Philharmonic Orchestral Reading Fellow 1998  In Memory the Heart Still Sings
	Artist Fund Fellowship New York Foundation for the Arts, 1998
	First Prize New England Chamber Orchestra Competition 1994 for Where Angels May Lie Down Among Us
	Tyrone Guthrie Fellowship 1994, Annemakerrig, Ireland
	First Prize International Eisteddfod Competition 1992 for La musica, los muertos y las estrellas
	Chamber Composition Grant A.C.T.S. Foundation 1992
	First Prize New Music for Young Ensembles,1991(Woodwind Quintet, O llama de amor viva) 1984 (Of Honey and Of Vinegar)
	First Prize Amadeus Choir, 1991, (Toronto) for Three Short Sacred Anthems and The Oxen Carol
	Orchestral Reading Fellowship National Orchestral Association, 1990-91 The Tiger's Tail
	First Prize First Universalist Church New Music Competition 1989 for Three Spanish Songs
	Delius Foundation Grand Prize and Chamber Music Award 1988 for  Organal Voices
	The Church and the Artist (Archdiocese of Seattle) l987 for Orison of Ste Theresa
	Ludwig Vogelstein Foundation Fellowship 1986
	Artists Fellowship [Inaugural Year] New Jersey State Council on the Arts (in recognition of "Outstanding Artist Merit” and "Achievement as an Artist") 1984-1985
	First Prize Baroque Choral Guild l984 for Five American Echoes
	First Prize Delta Omicron Competition l984 for Forewords
	First Prize Chamber Symphony of Princeton l984 for Turbulence, Stillness and Saltation
	First Prizes National League of American Pen Women 1988, l987, l986, l985, l983, l982
	First Prize Inter-American Music Awards, Sigma Alpha Iota 1980 for On the Beach At Night Alone
	 
	Recent Selected Compositions, Commissions and Performances
	La Madre Truste for mezzo, violin, cello, clarinet, bassoon and piano, for the American Chamber Ensemble   (2017-2018)
	My Heart is Like a Singing Bird,  for the Leatherhead Choral Society (UK)  (2017)
	O Felix Caecelia,  for LAUDEM, the Association of Liturgical Musicians of Canada (2017)
	ASmall Boat of Stars two string duos commissioned by String Poet (2015-2016)
	Summer Synchrony for piano, two, four, eight or sixteen hands, commissioned by Octavia Piano Ensemble of Meredith College, 2015-16 
	Dances at Dusk, concert arias for soprano, saxophone and piano, for  “Riot for Three” 2015-16
	Festival of Wallach Works: Meredith College, Raleigh, NC.  Feb 2-6, 2016  Performances included: 
	     Daughters of Silence,  Meow Mix, Firefighters’ Prayer,  Summer Synchrony (world premiere),  Scalerica d’oro, String Quartet #2, After Alcyon’s Dream,  A Revistation of Myth, Spiritual, Love in the Early Morning
	Williams’ Songs, for soprano and marimba, commissioned by Mary and William Trigg 2015
	Moiré String Quintet, commissioned by the Aaron Copland Foundation and Dr. Joán Groom, 2013-14
	Scaleria d’Oro suite for cello and dumbek, commissioned by the Spanish and Portuguese Synagogue in the City of New York  [NYC premiere scheduled Oct 10, 2012]
	Take Home a Dog,  commissioned by ArtsVenture, Fairbanks, Alaska for the Fairbanks Humane Society, 2012 (Fairbanks premiere, March 3, 2013)
	Cassandra’s Lament for unaccompanied women’s voices commissioned by the Jane Austen Society of North America, 2011 (NYC premiere October 7, 2012)
	Lagrimas y Locuras  for Ana Cervantes’ Monarca Project, Mexico, Brazil, Argentina; New York City Premiere, Nov 16, 2011
	Runes and Ritual for Piano Quartet commissioned by the James Piano Quartet and Sweet Briar College 2009; Voices of Change, Dallas, Southwest premiere October 9, 2011   Nominated for the 2012 Pulitzer Prize in Music
	Toward a Time of Renewal for large chorus, four solo voices and symphony orchestra.
	commissioned by The New York Choral Society,  1995, Carnegie Hall, NYC;  Columbia University April 25, 1998
	College Music Society, National Conference 2011
	A Revisitation of Myth  for piano, viola and medium voice “Cutting Edge Concerts”  NYC April 4, 2002 and Donnell Library Series 2002; Gold Coast Chamber Players, San Francisco, CA 2004; Voices of Change, Dallas, TX Southwest premiere 2011
	Loveletter (postmark San Jose), for euphonium and strings, commissioned by the San Jose Chamber Orchestra 1999; required
	     Competition repertoire International Women’s Brass Conference 2011; published 2011 Just for Brass 2011
	From the Forest of Chimneys, an octet for clarinet, bassoon, horn and strings.  Commissioned and premiered by
	     The New York Philharmonic Ensembles 1992; Milken Archive for Jewish Music (NAXOS) 2011
	Therefore, for a cappella chamber choir, New York Virtuosi, New York City 2005  published, G. Schirmer 2010
	The Clothes of Heaven for 40 unaccompanied voices, Manhattan Choral Ensemble commission 2006
	In a Dark Time, for horn and piano, International Women’s Brass Conference commission 2005-6
	Therefore, for a cappella chamber choir, New York Virtuosi, New York City 2005
	Beyond the Shadow of the Rain, meditations on a Shang Dong folksong, for violin, viola and cello, commissioned by the Jade String Trio 2003, Shanghai and New York City, 2004
	After Alcyon’s Dream for clarinet, viola and piano, commissioned by the Halcyon Trio 2003
	The Tiger’s Tail. an orchestral overture
	Spoleto Festival and Charles Ives Festival of American Music 2002; San Jose Symphony, March 8,9, 1997        
	Women's Philharmonic, San Francisco Sept. 27, 1991; National Orchestral Association NYC March 23, 1991
	A Revisitation of Myth  for piano, viola and medium voice “Cutting Edge Concerts”  NYC April 4, 2002
	Why the Caged Bird Sings for treble voices, horn, piano or strings, Plymouth Music Series [VocalEssence] 2002
	Sextet for woodwind quintet and piano, American Chamber Ensemble 2001
	String Quartet #3 commissioned by the Arizona Friends of Chamber Music for the Muir Quartet, 1999-2001
	From the Almanac of Last Things for piano and medium voice, commissioned by Paul Sperry for the Joy In Singing’s Millennial Concert 2001
	Glancing Below, a ballet for eight players:
	Showcase Presentation of the Juilliard Dance Theater 1999; Hartford Ballet and Hartford Symphony, 1995;
	Guild of Musicians for Dance, Hunter College, NYC 1995; commissioned by The Carlisle Project, Philadelphia
	Loveletter (postmark San Jose), for euphonium and strings, commissioned by the San Jose Chamber orchestra 1999
	Toward a Time of Renewal for large chorus, four solo voices and symphony orchestra.
	commissioned by The New York Choral Society,  1994, Carnegie Hall, NYC;  Columbia University April 25, 1998
	String Quartet (1995) La Musica Festival, Sarasota FL 1996
	La musica, los muertos y las estrellas  for a cappella SATB
	Plymouth Music Series, Walker Arts Center, Minneapolis 1994
	Florilegium Chamber Choir, Merkin Hall, Lincoln Center, NYC May 29, 1989
	Shadow, Sighs and Songs of Longing for cello and orchestra, Billings [Montana] Symphony, 1994
	Where Angels May Lie Down Among Us
	Boston Chamber Ensemble, Cambridge, MA 1994; Commissioned and premiered by the Lake Placid Symphonietta, 1992
	From the Forest of Chimneys, an octet for clarinet, bassoon, horn and strings. 
	Commissioned and premiered by The New York Philharmonic Ensembles, opening subscription concert 1992
	Sweet Briar Elegies for soprano saxophone and cello ensemble.
	Commissioned and premiered by Le Festival Internationale des Violoncelles, Paris and Beauvais [France], May 1993
	Three Short Sacred Anthems for treble choir, Union Theological Seminary Symposium and Film: Beauty and Liturgy 1993
	The Wreath of Silver Birds, a suite for unaccompanied piccolo, The Art Institute of Chicago, in conjunction with their Magritte Exhibit  1993
	“Epistolary,” from Daughters of Silence New York Festival of Song, Weill Hall, NYC 1992
	The King's Twelve Moons a chamber opera, Magic Circle Opera Repertory Ensemble at the CitiCorp Center, New York City 1992
	Three Whitman Songs for voice, clarinet, French horn and bassoon. American Chamber Ensemble  1992
	String Quartet (1986) Charles Ives Center for American Music 1991
	 
	Publishers:                    G.Schirmer                  E.C. Schirmer                                    To The Fore (saxophone works)
	                                                C.F. Peters                       Carl Fischer                                  Just For Brass (brass works)
	
	
		Service, Offices and Membership In Societies and Organizations
	Composers Now, Fund for the City of New York, Advisory Board, 2014-
	Music Adviser to the Solender Memorial Music Fund of UJA - Federation of New York 2011-
	New Music for Young Ensembles, President, Board of Advisors 2013-  , Board of Advisors 2010-
	Virginia Center for the Creative Arts, Fellow’s Council 2011-
	Shearith Israel League of the Spanish and Portuguese Synagogue in the City of New York,   President 2008-2010,
	Alhambra, Board of Directors 2006-
	Joy in Singing, Board of Directors 2004 - 2007
	Fulbright Senior Specialists, Council for the International Exchange of Scholars: U.S. Studies review committee, 2002-06
	Society of Composers, Inc, Executive Committee 1984-1993; Submissions Coordinator 1986-1993; Editor, "Newsletter"
	American Composers Alliance 1974-1998 (Nominating Committee 1989, 1987, 1985)
	BMI (Broadcast Music Incorporated) 1980-