Joelle Wallach 3965 Sedgwick Avenue #5D Bronx, NY 10463
Education
Doctor of Musical Arts: Composition. Manhattan School of Music. Ancillary fields in theory, piano and voice
Master of Arts : Musical Composition. Graduate Faculties, Columbia University
Digital Music Certificate Massachusetts Institute of Technology
Bachelor of Arts: Musical Composition. Sarah Lawrence College
Principal Teachers: John Corigliano, Manhattan School of Music; Meyer Kupferman, Sarah Lawrence College
Juilliard Preparatory Division – violin, piano and theory
Teaching, Public Lectures, and Academic Experience
BRIO Prize, Bronx Council on the Arts (2017)
Meredith College, Raleigh NC (2016) Artist in Residence
The New York Philharmonic, (2005-2015) pre-concert lecturer, insight presenter
“Composer in the Metropolis” Con Edison Resident Composer (NYC) 2013-2014
John Jay College, CUNY (2012) Adjunct Professor of Piano
College of Music, University of North Texas, Denton, TX (2010-2012 ) Visiting Professor of Composition
Teaching upperclassmen and graduate students musical composition and orchestration
Dallas Symphony, (2011-2012) pre-concert lecturer
Montclair State University, New Jersey, (2010) Visiting Specialist: composition, orchestration, advanced musical analysis
The 92nd Street YMHA, School of Music, (2006-present) and The New York Society Library (2008-present)
Lecture series linking music to the history of ideas, with an emphasis on New York’s musical and intellectual life
Sweet Briar College (2007-2010) Visiting Artist, collaborating with faculty in the creation of a new work, and giving nine lectures on Modernism, Postmodernism and diatonic and atonal theory for faculty and students, and the public
Fulbright Senior Specialists Program, Council for the International Exchange of Scholars, (2002-2006)
National Parks Service, Acadia National Park, Artist in Residence (2006) created and conducted public workshops
The Frick Collection, (2005) lecturer connecting visiting painting exhibits with in-house concerts
Empire State College, S.U.N.Y., Preceptor and Evaluations Consultant l995-97, 1980-l984
Billings [Montana] Symphony, Composer in Residence 1994-5
Hudson Valley Philharmonic, Composer in Residence 1985, 1987
Lincoln Center Institute, Teaching Artist, designing/implementing new curricula 1990
Fordham University, Assistant. Professor of Music: Music History, Jazz, Musical Concepts l981-83
Manhattan School of Music, Doctoral Teaching Fellow: music theory, sight-singing, dictation l980-l982
Hunter College, C.U.N.Y., Center for Lifelong Learning. “Patterns of Contemporary Culture" l978-79
Orchestral Positions and Residencies
Meredith College, Raleigh NC (2016) Artist in Residence
New York Philharmonic Orchestra, Pre-concert Lecturer 1990-91, 2004—2015
“Composer in the Metropolis” Con Edison Resident Composer (NYC) 2013-2014
Dallas Symphony Orchestra, Pre-concert Lecturer 2010-2012
New Philharmonic of New Jersey, Pre-concert Lecturer 2010
National Parks Service, Composer-in-Residence, Acadia National Park, Maine, USA 2006
Gold Coast Chamber Players, (San Francisco, CA) Composer-in-Residence, 2003-2005
Piccolo Spoleto Festival/ Charles Ives Center for American Music/ Charleston (SC) Symphony 2002
San Jose Symphony, Guest Composer 1998 San Jose Chamber Orchestra, Guest Composer 1999, 1998
Wayne Chamber Orchestra, Guest Composer 1998-2000
Harvestworks, PASS digital/electronic studio, Composer Digital Programming Fellow 1995
Billings [Montana] Symphony, Composer-in-Residence 1994-5
Lake Placid Symphonietta, Composer-in-Residence 1992
National Orchestral Association, Fellow 1990-1991
Hudson Valley Philharmonic, Composer-in-Residence 1985, 1987
Grants, Honors and Awards
BRIO Award, Bronx Council on the Arts 2017
Uncommon Music Festival Award for When Lost in the Forest 2017
Mid Atlantic Arts Foundation Creative Fellowship 2017
New Ariel Piano Composition Award for Lagrimas y locuras 2016
“Composer in the Metropolis” (NYC) Con Edison Resident Composer 2013-2014
Pytheas Center for Contemporary Music Composer of the Month (February, 2013)
Aaron Copland Foundation Award 2013
2013 Pulitzer Prize in Music – nomination for Lagrimas y locuras
2012 Pulitzer Prize in Music – two nominations for Runes and Ritual
Research Enabling Grant, University of North Texas 2011-2012
Drisha Institute, Artist Fellow 2007-2008
Manhattan Choral Ensemble First Prize, for The Clothes of Heaven for 40 unaccompanied voices 2006
New York Virtuoso Singers Choral Composition Competition for Therefore 2005
First Prize, First Annual Jezick Ensemble Prize for treble choir for Why the Caged Bird Sings 2004
International Alliance for Women in Music, Miriam Gideon Prize for A Revisitation of Myth 2003
Waging Peace for Toward a Time of Renewal for orchestra and chorus 2002
Arizona Friends of Chamber Music String Quartet Competition Commission 1999 (String Quartet #3)
Women’s Philharmonic Orchestral Reading Fellow 1998 In Memory the Heart Still Sings
Artist Fund Fellowship New York Foundation for the Arts, 1998
First Prize New England Chamber Orchestra Competition 1994 for Where Angels May Lie Down Among Us
Tyrone Guthrie Fellowship 1994, Annemakerrig, Ireland
First Prize International Eisteddfod Competition 1992 for La musica, los muertos y las estrellas
Chamber Composition Grant A.C.T.S. Foundation 1992
First Prize New Music for Young Ensembles,1991(Woodwind Quintet, O llama de amor viva) 1984 (Of Honey and Of Vinegar)
First Prize Amadeus Choir, 1991, (Toronto) for Three Short Sacred Anthems and The Oxen Carol
Orchestral Reading Fellowship National Orchestral Association, 1990-91 The Tiger's Tail
First Prize First Universalist Church New Music Competition 1989 for Three Spanish Songs
Delius Foundation Grand Prize and Chamber Music Award 1988 for Organal Voices
The Church and the Artist (Archdiocese of Seattle) l987 for Orison of Ste Theresa
Ludwig Vogelstein Foundation Fellowship 1986
Artists Fellowship [Inaugural Year] New Jersey State Council on the Arts (in recognition of "Outstanding Artist Merit” and "Achievement as an Artist") 1984-1985
First Prize Baroque Choral Guild l984 for Five American Echoes
First Prize Delta Omicron Competition l984 for Forewords
First Prize Chamber Symphony of Princeton l984 for Turbulence, Stillness and Saltation
First Prizes National League of American Pen Women 1988, l987, l986, l985, l983, l982
First Prize Inter-American Music Awards, Sigma Alpha Iota 1980 for On the Beach At Night Alone
Recent Selected Compositions, Commissions and Performances
La Madre Truste for mezzo, violin, cello, clarinet, bassoon and piano, for the American Chamber Ensemble (2017-2018)
My Heart is Like a Singing Bird, for the Leatherhead Choral Society (UK) (2017)
O Felix Caecelia, for LAUDEM, the Association of Liturgical Musicians of Canada (2017)
ASmall Boat of Stars two string duos commissioned by String Poet (2015-2016)
Summer Synchrony for piano, two, four, eight or sixteen hands, commissioned by Octavia Piano Ensemble of Meredith College, 2015-16
Dances at Dusk, concert arias for soprano, saxophone and piano, for “Riot for Three” 2015-16
Festival of Wallach Works: Meredith College, Raleigh, NC. Feb 2-6, 2016 Performances included:
Daughters of Silence, Meow Mix, Firefighters’ Prayer, Summer Synchrony (world premiere), Scalerica d’oro, String Quartet #2, After Alcyon’s Dream, A Revistation of Myth, Spiritual, Love in the Early Morning
Williams’ Songs, for soprano and marimba, commissioned by Mary and William Trigg 2015
Moiré String Quintet, commissioned by the Aaron Copland Foundation and Dr. Joán Groom, 2013-14
Scaleria d’Oro suite for cello and dumbek, commissioned by the Spanish and Portuguese Synagogue in the City of New York [NYC premiere scheduled Oct 10, 2012]
Take Home a Dog, commissioned by ArtsVenture, Fairbanks, Alaska for the Fairbanks Humane Society, 2012 (Fairbanks premiere, March 3, 2013)
Cassandra’s Lament for unaccompanied women’s voices commissioned by the Jane Austen Society of North America, 2011 (NYC premiere October 7, 2012)
Lagrimas y Locuras for Ana Cervantes’ Monarca Project, Mexico, Brazil, Argentina; New York City Premiere, Nov 16, 2011
Runes and Ritual for Piano Quartet commissioned by the James Piano Quartet and Sweet Briar College 2009; Voices of Change, Dallas, Southwest premiere October 9, 2011 Nominated for the 2012 Pulitzer Prize in Music
Toward a Time of Renewal for large chorus, four solo voices and symphony orchestra.
commissioned by The New York Choral Society, 1995, Carnegie Hall, NYC; Columbia University April 25, 1998
College Music Society, National Conference 2011
A Revisitation of Myth for piano, viola and medium voice “Cutting Edge Concerts” NYC April 4, 2002 and Donnell Library Series 2002; Gold Coast Chamber Players, San Francisco, CA 2004; Voices of Change, Dallas, TX Southwest premiere 2011
Loveletter (postmark San Jose), for euphonium and strings, commissioned by the San Jose Chamber Orchestra 1999; required
Competition repertoire International Women’s Brass Conference 2011; published 2011 Just for Brass 2011
From the Forest of Chimneys, an octet for clarinet, bassoon, horn and strings. Commissioned and premiered by
The New York Philharmonic Ensembles 1992; Milken Archive for Jewish Music (NAXOS) 2011
Therefore, for a cappella chamber choir, New York Virtuosi, New York City 2005 published, G. Schirmer 2010
The Clothes of Heaven for 40 unaccompanied voices, Manhattan Choral Ensemble commission 2006
In a Dark Time, for horn and piano, International Women’s Brass Conference commission 2005-6
Therefore, for a cappella chamber choir, New York Virtuosi, New York City 2005
Beyond the Shadow of the Rain, meditations on a Shang Dong folksong, for violin, viola and cello, commissioned by the Jade String Trio 2003, Shanghai and New York City, 2004
After Alcyon’s Dream for clarinet, viola and piano, commissioned by the Halcyon Trio 2003
The Tiger’s Tail. an orchestral overture
Spoleto Festival and Charles Ives Festival of American Music 2002; San Jose Symphony, March 8,9, 1997
Women's Philharmonic, San Francisco Sept. 27, 1991; National Orchestral Association NYC March 23, 1991
A Revisitation of Myth for piano, viola and medium voice “Cutting Edge Concerts” NYC April 4, 2002
Why the Caged Bird Sings for treble voices, horn, piano or strings, Plymouth Music Series [VocalEssence] 2002
Sextet for woodwind quintet and piano, American Chamber Ensemble 2001
String Quartet #3 commissioned by the Arizona Friends of Chamber Music for the Muir Quartet, 1999-2001
From the Almanac of Last Things for piano and medium voice, commissioned by Paul Sperry for the Joy In Singing’s Millennial Concert 2001
Glancing Below, a ballet for eight players:
Showcase Presentation of the Juilliard Dance Theater 1999; Hartford Ballet and Hartford Symphony, 1995;
Guild of Musicians for Dance, Hunter College, NYC 1995; commissioned by The Carlisle Project, Philadelphia
Loveletter (postmark San Jose), for euphonium and strings, commissioned by the San Jose Chamber orchestra 1999
Toward a Time of Renewal for large chorus, four solo voices and symphony orchestra.
commissioned by The New York Choral Society, 1994, Carnegie Hall, NYC; Columbia University April 25, 1998
String Quartet (1995) La Musica Festival, Sarasota FL 1996
La musica, los muertos y las estrellas for a cappella SATB
Plymouth Music Series, Walker Arts Center, Minneapolis 1994
Florilegium Chamber Choir, Merkin Hall, Lincoln Center, NYC May 29, 1989
Shadow, Sighs and Songs of Longing for cello and orchestra, Billings [Montana] Symphony, 1994
Where Angels May Lie Down Among Us
Boston Chamber Ensemble, Cambridge, MA 1994; Commissioned and premiered by the Lake Placid Symphonietta, 1992
From the Forest of Chimneys, an octet for clarinet, bassoon, horn and strings.
Commissioned and premiered by The New York Philharmonic Ensembles, opening subscription concert 1992
Sweet Briar Elegies for soprano saxophone and cello ensemble.
Commissioned and premiered by Le Festival Internationale des Violoncelles, Paris and Beauvais [France], May 1993
Three Short Sacred Anthems for treble choir, Union Theological Seminary Symposium and Film: Beauty and Liturgy 1993
The Wreath of Silver Birds, a suite for unaccompanied piccolo, The Art Institute of Chicago, in conjunction with their Magritte Exhibit 1993
“Epistolary,” from Daughters of Silence New York Festival of Song, Weill Hall, NYC 1992
The King's Twelve Moons a chamber opera, Magic Circle Opera Repertory Ensemble at the CitiCorp Center, New York City 1992
Three Whitman Songs for voice, clarinet, French horn and bassoon. American Chamber Ensemble 1992
String Quartet (1986) Charles Ives Center for American Music 1991
Publishers: G.Schirmer E.C. Schirmer To The Fore (saxophone works)
C.F. Peters Carl Fischer Just For Brass (brass works)
Service, Offices and Membership In Societies and Organizations
Composers Now, Fund for the City of New York, Advisory Board, 2014-
Music Adviser to the Solender Memorial Music Fund of UJA - Federation of New York 2011-
New Music for Young Ensembles, President, Board of Advisors 2013- , Board of Advisors 2010-
Virginia Center for the Creative Arts, Fellow’s Council 2011-
Shearith Israel League of the Spanish and Portuguese Synagogue in the City of New York, President 2008-2010,
Alhambra, Board of Directors 2006-
Joy in Singing, Board of Directors 2004 - 2007
Fulbright Senior Specialists, Council for the International Exchange of Scholars: U.S. Studies review committee, 2002-06
Society of Composers, Inc, Executive Committee 1984-1993; Submissions Coordinator 1986-1993; Editor, "Newsletter"
American Composers Alliance 1974-1998 (Nominating Committee 1989, 1987, 1985)
BMI (Broadcast Music Incorporated) 1980-